Sources for Consideration

Antliff, Allan. Anarchy and Art: From the Paris Commune to the Fall of the Berlin Wall. Vancouver: Arsenal Pulp, 2007. Print.

Becker, Christoph, Wolf Eiermann, Ralph Melcher, and Barbara Stern. Shapiro. Camille Pissarro. Ostfildern-Ruit: Hatje Cantz, 1999. Print.

Brettell, Richard R., and Joachim Pissarro. The Impressionist and the City: Pissarro’s Series Paintings. Ed. Mary Anne. Stevens. New Haven: Yale UP, 1992. Print.

Brettell, Richard R., and Joachim Pissarro. Pissarro and Pontoise: The Painter in a Landscape. New Haven: Yale UP, 1990. Print.

Chu, Petra Ten-Doesschate. “Neo-Impressionism and Utopianism: Signac and Pissarro.” Nineteenth-Century European Art. 3rd ed. London: Laurence King, 2012. Print.

Dymond, Anne. “A Politicized Pastoral: Signac and the Cultural Geography of Mediterranean France.” The Art Bulletin 85.2 (2003): 353-70. JSTOR. Web. 01 Oct. 2014. http://www.jstor.org/stable/3177348

Herbert, Robert L., and Eugenia W. Herbert. “Artists and Anarchism: Unpublished Letters of Pissarro, Signac and Others – I.” The Burlington Magazine 102.692 (1960): 472-82. JSTOR. Web. 14 Nov. 2014. http://www.jstor.org/stable/873246

Homer, William I. “Notes on Seurat’s Palette.” The Burlington Magazine 101.674 (1959): 192. JSTOR. Web. 14 Nov. 2014. http://www.jstor.org/stable/872729

Hutton, John Gary. Neo-impressionism and the Search for Solid Ground: Art, Science, and Anarchism in Fin-de-siècle France. Baton Rouge: Louisiana State UP, 1994. Print.

Hutton, John. “‘Les Prolos Vagabondent’: Neo-Impressionism and the Anarchist Image of the Trimardeur.” The Art Bulletin 72.2 (1990): 296-309. JSTOR. Web. 01 Oct. 2014. http://www.jstor.org/stable/3045735

Roslak, Robyn S. “The Politics of Aesthetic Harmony: Neo-Impressionism, Science, and Anarchism.” The Art Bulletin 73.3 (1991): 381-90. JSTOR. Web. 26 Sept. 2014. http://www.jstor.org/stable/3045811

Sewell, William H., Jr. “Connecting Capitalism to the French Revolution: The Parisian Promenade and the Origins of Civic Equality in Eighteenth-Century France.” Critical Historical Studies 1.1 (2014): 5-46. JSTOR. Web. 13 Nov. 2014. http://www.jstor.org/stable/674564

Ward, Martha. Pissarro, Neo-Impressionism, and the Spaces of the Avant-Gard. Chicago: U of Chicago, 1996. Print.